Networked Media for Artists I
SCG5501B | Thursday 3:00 - 4:50PM | Room 10-01(fall 2004)


Instructor: Russet Lederman
E-mail: russet@mfaca.sva.edu

Course Description:

This studio-based course will introduce students to art making possibilities using networked media. The primary focus will be on creating interactive projects that utilize telecommunication and web technologies. Readings, presentations and discussions of the major themes currently being explored by networked media artists will be used to stimulate and inspire individual student projects. An overview and introduction to the telecommunication tools needed to complete assigned projects will be presented and discussed. The goal of this course is to encourage class members to develop a personal voice as an artist working with these technologies.

Students will be required to complete the following assignments in this course:

3 screen based art projects (min of 3-5 screens each posted to your web site)
1 written paper (2-4 pages) to be presented in class (15-20 minutes)
weekly readings and discussions

Explanation of creative online projects:
screen based art project #1:
Topic: New York City
Due Dates:schematic of proposed project presented in class 3
Completed project due in class 6
screen based art project #2:
Topic: The Digital Life: Heaven and Hell
Due Dates: Schematic of proposed project presented in class 8
Completed project due in class 11.
screen based art project #3:
Topic: Streaming Digital Video
Completed project due in class 15.

Explanation of written paper:
Students will select a topic from the syllabus and must write a 2-4 page paper to be posted on their SVA web space Presentations will be due at the beginning of the class with the corresponding topic. For example, if a student's chosen topic is Hypertext, their presentation will be due the day that the class syllabus indicates Hypertext. Visual and net based illustrations of comments and questions are required for student presentations. All written papers are due by class 12 -- some presentations will occur after papers have been handed in.  Research for the written papers must incorporate required readings for the selected topic, plus 3 additional sources. A bibliography, footnotes and 3 links to artwork exemplifying the selected topic are required within the paper. (Do not use instructor's links.) Late papers will result in a lowered grade for the assignment.

Link to student class presentations

Explanation of class readings and discussions:
Each class will focus on a different issue concerning networked art.
As outlined above, each week a different class member will present an overview of his/her analysis of the day's topic. Every week, each class member must prepare reactions to the proposed issue and reading assignment that will be used in a class discussion. Students are required to write down specific ideas and quotes which they will use in the class discussion . 

The following questions are suggestions of preparing reactions
* How does this reading connect with what we've already read/discussed in class?
* What do you agree with in the reading? What do you disagree with?
* What provokes a response/reaction, either good or bad?
* What differences do you see in your own beliefs and the beliefs informing the researcher's work?
* Is there anything that you don't understand?
* How can you relate this to your own work?
* What new insights did you gain?

Grades will be based on class participation in discussions, attendance, the 3 screen based art projects, and the written paper/presentation.

Attendance will be recorded for each class.

The following syllabus is subject to change. Field trips and guest speakers may be added.

Suggested New Media Books:
Noah Wardrip-Fruin and Nick Montfort (Eds.), The New Media Reader, MIT Press, 2003
Lev Manovich, The Language of New Media, MIT Press, 2001
Christiane Paul, Digital Art, Thames & Hudson, UK, 2003
R. Packer and K. Jordan (Eds.), Multimedia: From Wagner to Virtual Reality, W.W. Norton & Co., 2001.
Stephen Wilson, Information Arts, MIT Press, 2002.

Tech Resource Books:
Visual Quickstart Guides by Peachpit Press (HTML, Photoshop, Flash, Javascript, Dreamweaver)
Master Visually Guides by Wiley Publishing (Web, Photoshop, Dreamweaver/Flash)
Bible Series by IDG Books (Flash, Dreamweaver, Director, Photoshop)
Alex Michael, Understanding Flash MX 2004 ActionScript 2: Basic Techniques for Creatives

Week 1 (9/9)

Topic
• Introduction to course.
• FTP Basics with Transmit and your SVA web site.

Tech Resource URLs:
Trasmit FTP for OS X
SVA's Transmit Tutorial

Assigned Reading for next week:
• Bruce Sterling, History of the Internet (online reading)
• Christiane Paul, Digital Art, "A Short History of Technology and Art," pp.8-22.

Suggested Reading:
New Media Reader: pp. 791-798, Tim Berners-Lee et. al., "The World-Wide Web"
Multimedia: From Wagner to Virtual Reality: pp. xiii - xxxi, R. Packer & K. Johnson, "Overture"
HTML: An Interactive Tutorial for Beginners (***Read this if you are a newbie to HTML)


Week 2 (9/16)

Topic: Historical Context + the Changing Notion of the Art Object
Hobbes' Internet Timeline
A Little History of the World Wide Web
Art Museum: Multimedia From Wagner to Virtual Reality
PBS's Nerds 2.0.1 Internet Timeline
Links to Examples of early New Media art works from assigned reading

Review of Basic HTML Tags + HTML Resources
Examples of Basic HTML

Assignment #1: NYC
Introduce Screen Based Assignment #1

Selection of topics for presentations

Assigned Reading for next week:
• Steve Anderson, "Select and Combine: The Rise of the Database Narratives," Res Magazine, Vol 7, No.1 (xeroxed handout)
• Schematic for screen based Assignment #1/ NYC due next week (link to Assignment #1 description)(link to sample schematic)


Week 3 (9/23)

Topic
• Alternative Narrative and Non-Linear Storytelling
• Dreamweaver/HTML Basics (part I)

HTML/Dreamweaver: Text, Links, Tables and Frames

Examples of Narratives from Select and Combine: The Rise of Database Narratives
• Pat O'Neill: Tracing the Decay of Fiction (site about this non-linear narrative DVD)
created in collaboration with the Labyrinth Project at USC Annenberg Center
• Andrea Flamini: http://www.andreaflamini.com
• Lev Manovich: Soft Cinema -- concept and clip examples
• Labyrinth: Dreamwaves: http://www.dreamwaves.net (was in ready, but is a confusing site to navigate)

Other Narrative Examples:
Randomness
• Gicheol Lee:Typorganism (look at the "Good News, Bad News")
• Annette Weintraub: Life Support
• 1h05: DIAD (Days in a Day)
Metadata
• Martin Wattenberg: Apartment
• Jody Zellen: Ghost City
Dynamism
•Yugo Nakamura: Ecotonoha (sponsored by NEC)

Review ideas/inspriration examples for screen based Assignment #1

Assigned Reading for next week:
• Christiane Paul, Digital Art, "Beyond the Book: Text and Narrative Environments," pp.189-196.
• Jesse Ashlock, "Literature's Electronic Outer Limits," Res Magazine, Vol 7, No.1 (xeroxed handout)


Week 4 (9/30)

Topic
• HyperText and more alternative narratives
Image Prep

Examples from Literature's Electronic Outer Limits
Digital Fiction
Poems That Go
Born Magazine
Locus Novus
Drunken Boat
Beehive
New River

Examples of HyperText:
• W. Bradford Paley: Text Arc
• Camille Utterback/Romy Achituv: Text Rain
• Sharon Denning: Exquisite Corpse
• Jeff Gates: Dichotomy
• Juliet Martin Oooxxxooo
John Maeda Studio
• Erik Loyer: Lair of the Marrow Monkey
• Claude Closky: Do you want love or lust?
• Plumb Design Visual Thesaurus (a visual map of word connections)
Random Access Memory -- A nice interface for a collection of hypertext memories
On Ubuweb web site: Brian Kim Stefans: DreamLife of Letters–a text and Flash example

Early HyperText Examples
• Darcey Steinke: Blindspot
• Mark Amerika: Grammatron
• Douglas Davis (about) the artwork: The World’s First Collaborative Sentence

Hyper Text Resource URLs.
Eastgate: a hypertext publisher and software developer
• Eastgate's examples of hypertext: http://www.eastgate.com/ReadingRoom.html#
Information on Hypertext Theory

HyperText Presentation: Nami Yoneya

Assigned Reading for next week:
• Lev Manovich, The Language of New Media, "The Database," pp.218-225.


Week 5 (10/7)

Topic
• Databases, Dataspaces and Information Mapping
ImageReady/Dreamweaver Basic (part 2)

Imformation Mapping Examples:
• Martin Wattenberg for Smart Money's Map of the Market
• Martin Wattenberg: Artport
• Mark Watkins: Manhattan Timeformations http://www.skyscraper.org/timeformations
• Mark Napier: 3 works (listed below) at Potatoland
The Shredder

Riot (recombines recently visited url)
Feed (about this project)
Thompson + Craighead - Look at Template Cinema (Needs lots of plug-ins/doesn't always work -- A mechanism for generating low-tech cinema from existing live webcam data -- generated in realtime.)

Database/Dataspace Examples:
• Komar + Melamid: The Most Wanted Painting on the Web (1995-97: Very early example of online work based on data collection and display)
• Josh On: They Rule
• Tony Oursler: TimeStream
• Patrick Lichty: Sprawl
• ITVS (Independent Television Service): Face to Face (audio database)
• Golan Levin, with Martin Wattenberg, Jonathan Feinberg, Shelly Wynecoop, David Elashoff, and David Becker, The Secret Life of Numbers
• Lisa Jevbratt, 1:1
Ben Fry, Genomic Cartography (documentation about non-web work)
Alex Galloway & RSG, Carnivore (documentation about a surveillance tool for network data collection)

Presentation:
Jin Sung Yoo

Assignment for next week:
• Finish Screen Based Art Project #1/ New York City
Week 6 (10/14)

Student Presentations of Screen Based Assignment #1/NYC:
Link to student Assignments

Assignment for next week:
• Rhonda Rubenstein, "The Web as Metaphor for Traditional Media, " 2000. (xerox)

Week 7 (10/21)

Topic
• Interface
• Introduce Screen Based Assignment #2/ The Digital Life: Heaven or Hell?

Presentation: Jinyoung Shin

Topic URLs
New York Times Online and Wall Street Journal (examples of print media adapted to web interface)
compare with CNN.com
• Myst Series (images from CD-ROM game -- example of cinema adapted interface)
Mongrels Collective (Graham Harwood: member): Uncomfortable Proximity (sampling and deconstruction of Tate Gallery website) -- compare with regular Tate Gallery Site -- examples of breaking standard web metaphors.
• Nick Crowe: Discreet Packets -- click on Discrete Packets link
(this website is totally fictious, made to look like a poorly designed early web page, but done by an artist -- examplifies artist playing with early web interface metaphors.)
• Yael Kanarek: World of Awe (example of using mac desktop GUI metaphors in interface)
• SFMOMA: 010101 Exhibition (example of 3rd generation interface design)
VolumeOne.com (3rd Generation interface)
• Perry Hoberman: click on Cathartic User Interface (example of installtion interface using mac GUI)
Sommerer and Mignoneau (installation interface experiments)

Assigned Reading for next week:
• Christiane Paul, Digital Art, "Installation," pp.71-111; and "Sound," pp.132-137. (Xerox provided)
• Email Russet description of Assignment #2/ /Digital Life: Heaven and Hell before class next week.
Optional Reading for students new to Flash:
• Katherine Ulrich, Flash MX 2004 for Windows & Macintosh: Visual Quickstart Guide, Chapters 1& 2.

Week 8 (10/28)

Topic
• Video and Sound Installation/Web works
• Flash basics (flash resources)

Presentation: Viveca Diaz (Video Installations), Katiushka Melo (Sound Installations)

Topic URLs
Video Installations:
Camille Utterback (artist website with various examples -- look at "Rain Text" and others)
Perry Hoberman (artist website)
• Grahame Weinbren: Frames and Tunnel
Luc Courchesne, Landscape One (photo)
Wolfgang Staehle, Empire 24/7 (live video cam project)
• Jeffrey Shaw (artist website): Legible City (1988-91)
• Rafael Lozano-Hemmer (artist website), Body Movies
• Jennifer + Kevin McCoy (artist website): Every Anvil (2001)

Sound Installations:
• Ed Osborn (artist website)
• Bill Fontana (artist website), Falling Echoes in Consuming Places Exhibition
• Golan Levin: Dialtones (A Telesymphony) 2001
• Live VJ performances -- see xfest site
• Christian Moeller (artist website of both video + sound installations)
• Toshio Iwai: Sound Lens and Another Time, Another Space
• Janet Cardiff (artist website) -- look at audio walks

Assignment for next week:
• Put all artwork for main interface for assignment #2 into flash
• Buy Alex Michael, Understanding Flash MX 2004 ActionScript 2: Basic Techniques for Creatives. (I will use this to introduce Actionscript concepts.)

Week 9 (11/4)

Topic
• Virtual Worlds, Networked Play and Games
• Flash Basics: part 2 (see class space or Tenchan)

Presentation: Klara Hegerova

Topic URLs

Classic Online Game URLS:
PacMan
Crash Games
Counter Strike
Addictinggames.com (a smorgasbord of online games). Try "Trick or Treat Beat"

Virtual World and Game Related Art work URLS:
• Marco Brambilla: HalfLife at the New Museum
• Natalie Bookchin: MetaPet 2002
• On <Alt> Culture site (sponsored by the American Museum of the Moving Image)
Look at : "Creative Uses of Engines" and "I Shot Andy Warhol" by Cory Arcangel
• Eric Zimmerman: Sissyfight 2000
• Feng Mengbo: Q4U
Brody Condon, Anne-Marie Schleiner, Joan Leandre: Velvet-Strike ( Counter-Military Graffiti for the popular first person shooter game: Counter-Strike.)


Assigned Reading for next week:
• Critical Art Ensemble Overview (online article)
• Christiane Paul, Digital Art ,"Tactical media, activism, and hacktivism", pp.204-211. (Xerox provided)

Week 10 (11/11)

Topic
• Art/Media Activism
• Flash MovieClips and Sound Basics (see class space or Tenchan)

Topic URLs
RepoHistory
Critical Art Ensemble
eToy
rtMark (about Barbie Liberation Organization)
0100101110101101.org-life sharing
• Nomads (about them): ebay.art project essay
• Shane Cooper: Remote Control (documents installation work)
• Steven Greenwood: Woven Presents 1996 (documents installation work)

Presentation: Ken Liu

Assigned Reading for next week:

• Finish Screen Based Art Project #2/ The Digital Life: Heaven and Hell


Week 11 (11/18)

Student Presentations of Screen Based Assignment #2/The Digital Life: Heaven and Hell

Assignment for next week:
• Stephen Wilson, Information Arts, "Surveillance," pp. 815-822 (xerox provided)
• FINALIZE WRITTEN PAPER DUE FOR CLASS 12

Week 12 (12/2)

Student Presentations of Screen Based Assignment #2/The Digital Life: Heaven and Hell

Topic
• Surveillance, Privacy and the Hacker Aesthetic
• Introduce Screen Based Assignment #3: Streaming Digital Video

Presentation: Pat Subyen (**rescheduled for 12/16/04)
Julia Scher
• Steve Mann: WearCam, essay on subjectrights, Cyberman, Eyetap
Jordan Crandall (look the follwing works: Homefront, Trigger, Heatseeking)
• Paul Garrin (Yuppie Ghetto with Watchdog, Border Patrol, White Devil)
• Josh Harris: We live in Public (also viewed will be a video tape of the a NBC:Dateline segment on this real life surveillance artwork.
Marie Sester

Assigned Reading for next week:
• Artificial Intelligence and Robotics Xerox from Digital Art, pp. 139-153.

Week 13 (12/9)

Topic
• Installations: Telerobotic and Artificial Intelligence
Flash Video (flv and streaming)

Presentation:
Jun Ku Kang -- Telepresence/Telerobotics
Ji Hyun Ahn -- Artificial Intelligence


Topic URLs:

Artificial Intelligence:
• Karl Sims: Galapagos 1993
• Sommerer/Mignonneau: A-Volve 1994-95, Life Spacies 1997, PICO_SCAN 2000.
• Ken Feingold,If/Then 2000, Sinking Feeling 2001, Self Portrait as the Center of the Universe 1998-2001
• Lynn Hershman:Teknolust (film) 2001, Cyborgs 1997(photos) , Phantom Limbs 1997(photos)

Telepresence:
Ken Goldberg: Telegarden 1995-present
Edduardo Kac: Teleporting an Unknown State 1994-96, The Ornitorrinco Project 1989-present
• Eric Paulos/John Canny: PRoPs 1997-present
• Adrianne Wortzel: Camouflage Town 2001

Assigned Reading for next week:
• Richard Rinehard, "Preserving the Rhizome"

Week 14 (12/16)

Topic
• New Media Archives and the Virtual Museums: Preserving Digital Art
WRITTEN PAPER ON YOUR TOPIC IS DUE

Presentation: Wei-Ping Lin

NO Assigned Reading for next week:
• Work on final screen based art projects

Week 15 (12/21)

PRESENTATION OF SCREEN BASED ART PROJECT #3/Digital Life: Heaven and Hell with 2 Streaming Web Videos.

Guest Critic: Juliet Martin